Tuesday, April 21, 2009

1992 Windsor Castle fire


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In 1992 Windsor Castle to the west of London, England the largest inhabited castle in the world and one of the official residences of the British monarch, Queen Elizabeth II, suffered severe damage in a fire, which destroyed some of the most historic parts of the building. Over the next few years the castle was fully repaired at great expense. The question of how the funds required should be found raised important issues about the financing of the monarchy, and led to Buckingham Palace being opened to the public for the first time to help to pay for the restoration.

Contents

1 The progress of the fire

2 Forces involved in fighting the fire

3 Extent of damage to the Castle

4 Restoration programme


//


The progress of the fire

The fire began in The Queen's Private Chapel at 11.33 a.m. on Friday 20 November 1992, when a 1000 watt halogen lamp being used by a paint restorer ignited a curtain. The alarm went off in the watch-room of the Castle fire brigade, manned by Chief Fire Office Marshall Smith. The site of the fire was shown by a light on a large grid map of the whole castle. Initially the Brunswick Tower alone was indicated, but lights soon lit up indicating that the fire had quickly spread to several neighbouring rooms. The major part of the State Apartments were soon ablaze.

Patrolling firemen were paged by an automatic system, and at 11.37 a.m. Mr Smith pressed the switch to alert the Control Room at Reading. He then activated the public fire alarm, known as an ER7alert (a continuous high pitch tone), and telephoned the Royal Berkshire Fire and Rescue Service on a direct line.

Mr Smith proceeded to the Brunswick Tower to assess the situation, and to begin the salvage operations which, together with fire precautions, had been the main responsibility of the castle brigade since the county force took over responsibility for fire-fighting at Windsor Castle in September 1991.

The Castle still had its own 20 strong force, of whom six were full-time. Equipped with a Land Rover and pump tender, they were based in the Royal Mews, stables south of the castle.

The first appliances of the Royal Berkshire Fire and Rescue Service arrived at the castle between 11.44 and 11.45a.m., some 78minutes after the alert was given. By 11.48a.m. 10pumping appliances had been ordered to the fire and the principle officer on duty within the brigade the Deputy Chief Officer David Harper had been informed.

By 12.12 p.m. there were 20 engines, and by 12.20 p.m. there were 35, with over 200firemen from London, Buckinghamshire, Surrey, and Oxfordshire, as well as from Berkshire.

The Fire Incident Commander was David Harper, Deputy Chief Fire and Rescue Officer of the Royal Berkshire Fire and Rescue Service. The Chief Officer Garth Scotford was out of the country, on holiday.

By 12.20 p.m. the fire had spread to St George's Hall, the largest of the State Apartments, and further reinforcements were called. The fire-fighting forces by then totalled 39appliances (including two hydraulic platforms) and 225fire-fighters. As an indication of the scale of the fire, there had been only one 30-appliance fire in the whole of Greater London since 1973.

By 1.30 p.m. firebreaks had been erected by tradesmen at the southern wall of the Green Drawing Room (at the end of StGeorge's Hall on the east side of the Quadrangle), and at the north-west corner at Chester Tower, where that tower joins the Grand Corridor. The fire-fighters had by this time begun to bring the fire under control (though the roof of the State Apartments had begun to collapse).

At 3.30 p.m. the fire was surrounded, and the floors of the Brunswick Tower collapsed, concentrating the fire there. Firemen had to temporarily withdraw to locate three men who were briefly lost in the smoke, and on a second occasion withdrew when men were temporarily unaccounted for when a roof fell in.

At 4.15 p.m. the fire had revived in the Brunswick Tower. As night fell the fire was concentrated in the Brunswick Tower, which by 6.30p.m. was engulfed in flames 50feet (15m) high, which could be seen for many miles. At 7p.m. the fire broke through the roof of the tower, and later the roof of StGeorge's Hall finally collapsed into the conflagration.

By 8 p.m. the fire was finally under control, having burnt for nine hours, although it continued to burn for a further three hours. By 11p.m. however the main fire was extinguished, and by 2.30a.m. the last secondary fires were put out. Pockets of fire remained alive until early Saturday, some 15hours later. Sixty firemen with eight appliances remained on duty for several more days.

Over one million gallons (4,500 tons) of water from Castle mains and from the River Thames had been used in fighting the fire.

Forces involved in fighting the fire

Apart from the firemen directly involved in fighting the fire, over 300...(and so on)











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Margaret Way


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Margaret Way

Born

August 7Brisbane, Australia

Occupation

Novelist

Nationality

Australian

Writing period

1970-Present

Genres

Romance

Margaret Way (b. August 7 in Brisbane, Australia) is an Australian writer, and she is one of Mills & Boon's most prolific authors with more than 110 novels.

Contents

1 Biography

2 Bibliography

2.1 Single Novels

2.2 Outback's Legends Series

2.3 Koomera Crossing Series

2.4 McIvor Sisters Series

2.5 Men Of The Outback Series

2.6 Australians Series Multi-Author

2.7 Contract Brides Series Multi-Author

2.8 Collections

2.9 Omnibus in Collaboration

3 References and sources


//


Biography



The Time Of The Jacaranda

Margaret Way was born August 7 in Brisbane, Australia. Before her marriage she was a well-known pianist, teacher, vocal coach and accompanist.

She began writing when her son was born, a friend took a pile of Mills & Boon books to her, she read all and decided that she also could write these types of novels. She began to write and to promote her country with her stories set in Australia. She sold her first novel The time of the Jacaranda, in 1970.

Margaret Way lives with her family in her native Brisbane.

Bibliography

Single Novels

The Time of the Jacaranda (1970)

King Country (1970)

Blaze of Silk (1970)

Bauhinia Junction (1971)

Man from Bahl Bahla (1971)

Summer Magic (1971)

Return to Belle Amber (1971)

Ring of Jade (1972)

Copper Moon (1972)

Rainbow Bird (1972)

Man Like Daintree (1972)

Noonfire (1972)

Storm Over Mandargi (1973)

Wind River (1973)

Love Theme (1974)

McCabe's Kingdom (1974)

Sweet Sundown (1974)

Reeds of Honey (1975)

Storm Flower (1975)

Lesson in Loving (1975)

Flight into Yesterday (1976)

Red Cliffs of Malpara (1976)

Man on Half-moon (1976)

Swan's Reach (1976)

Mutiny in Paradise (1977)

One Way Ticket (1977)

Portrait of Jaime (1977)

Black Ingo (1977)

Awakening Flame (1978)

Wild Swan (1978)

Ring of Fire (1978)

Wake the Sleeping Tiger (1978)

Valley of No Moon (1979)

White Magnolia (1979)

Winds of Heaven (1979)

Blue Lotus (1979)

Butterfly and the Baron (1979)

Golden Puma (1980)

Temple of Fire (1980)

Lord of the High Valley (1980)

Flamingo Park (1980)

North of Capricorn (1981)

Season for Change (1981)

Shadow Dance (1981)

McIvor Affair (1981)

Home to Morning Star (1981)

Broken Rhapsody (1982)

The Silver Veil (1982)

Spellbound (1982)

Hunter's Moon (1982)

Girl at Cobalt Creek (1983)

No Alternative (1983)

House of Memories (1983)

Almost a Stranger (1984)

A place called Rambulara (1984)

Fallen Idol (1984)

Hunt the Sun (1985)

Eagle's Ridge (1985)

The Tiger's Cage (1986)

Innocent in Eden (1986)

Diamond Valley (1986)

Morning Glory (1988)

Devil Moon (1988)

Mowana Magic (1988)

Hungry Heart (1988)

Rise of an Eagle (1988)

One Fateful Summer (1993)

The Carradine Brand (1994)

Once Burned (1995)

A Faulkner Possession (1996)

Georgia and the Tycoon (1997)

Holding on to Alex (1997)

The Australian Heiress (1997)

Beresford's Bride (1998)

Gabriel's Mission (1998)

Boardroom Proposal (1999)

Claiming His Child (1999)

A Wife at Kimbara (2000)

The Cattleman's Bride (2000)

The Cattle Baron (2001)

The Husbands of the Outback (2001)

Master of Maramba (2001)

Outback Fire (2001)

Secrets of the Outback (2002)

Mistaken Mistress (2002)

Outback Angel (2002)

With This Ring (2003)

Innocent Mistress (2004)

Cattle Rancher, Convenient Wife (2007)

Outback Marriages (2007)

Promoted: Nanny to Wife (2007)

Outback Man Seeks Wife (2007)

Outback's Legends Series

Mail Order Marriage (1999)

The Bridesmaid's Wedding (2000)

The English Bride (2000)

Koomera Crossing Series

Sarah's Baby (2003)

Runaway Wife (2003)

Outback Bridegroom (2003)

Outback Surrender (2003)

Home to Eden (2004)

McIvor Sisters Series

The Outback Engagement (2005)

Marriage at Murraree (2005)

Men Of The Outback Series

The Cattleman (2006)

The Cattle Baron's Bride (2006)

Her Outback Protector (2006)

The Horseman (2006)

Australians Series Multi-Author

Her Outback Man (1998)

His Heiress Wife (2004)

The Australian Tycoon's Proposal (2004)

...(and so on)











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A self heating can

A self-heating can is an enhancement of the common food can. Self-heating cans have dual chambers, one surrounding the other. The inner chamber holds the food or drink, and the outer chamber houses chemicals that undergo an exothermic reaction when combined. When the user wants to heat the contents of the can, they pull a ring on the can that breaks the barrier separating the chemicals in the outer chamber. After the heat from the reaction has been absorbed by the food, the user can enjoy a hot meal or drink.

Self-heating cans offer benefits to campers and people without access to a microwave oven, stove or camp-fire, but the technology is not yet common. This is because self-heating cans are considerably more expensive than the conventional type, and also have problems with uneven heating of their contents.

Contents

1 History

2 Technology

3 References

4 See also

5 External links


//


History

Self-heating tins started being produced around 1900 for use by mountaineers and explorers. Hiram Bingham used self-heating cans produced by the Silver's and the Grace Brothers firms during travels in 1909-1915.[1]

In 1910, aerial pioneer Alan R. Hawley reported that, on the flight of the balloon America II they had taken "three cans of soup, self-heating with lime".[2]

In 1941 a New York Times food column reported:

Yesterday, we had our first cup of coffee, our first baked beans and our first spaghetti out of the amazing self-heating cans now being introduced by a department store in Manhattan... There's a fifteen-minute wait while the canned food, enclosed in an outer tin, heats without benefit of gas, electricity, or flame of any sort. This trick is accomplished by a chemical inside the first container, and the action is started when four holes are punched in the bottom. The whole mysterious apparatus is turned upside down for the stipulated number of minutes, then righted, and presto! there is your steaming coffee, or food, all ready to serve.

梉3]

The Self-heating cans also appeared in the second World war British rations.

In 1947, the same column reported "Food in Self-Heating Cans Reappears" (their having been reserved for the military during the war). Referring to the cans as "Hotcans," the columnist noted that "Chocolate is made with milk and is delicious (65 to 72 cents). Four hamburgers in tomato sauce with mushrooms are small but good, and the sauce is ample (89 to 98 cents). Coffee tastes something like the instantly brewed type, leaving something to be desired (49 cents)."[4]. (49 cents in 1947 is approximately equivalent to $4.64 in 2005).

The technology reappeared in the USA again in 2006, when Ontech corporation released a line of self-heating drinks (such as hot cocoa and hot coffee) which use a mixture of quicklime and water to generate heat.

Technology

The source of the heat for the self heated can is an exothermic reaction that the user initiates by pressing on the bottom of the can. The can is manufactured as three containers. A container for the beverage surrounds a container of calcium oxide (quicklime) that is separated from a container of water by a thin breakable membrane. When the user pushes on the bottom of the can, a rod connected there pierces the membrane, mixing the water and calcium oxide. The resulting chemical reaction releases heat (the heat of hydration of calcium oxide) and thus warms the beverage above it.[5]

Another way, though less effective, is copper sulfate and zinc, no gas is produced by this reaction and zinc sulfate and copper is left. Not much heat is produced by this reaction, therefore it is only good if there is a large amount of the reactants and little coffee.

Anhydrous calcium chloride and water are used in the line of self heating cups provided under the brand name Rocket Fuel in the UK.

References

^ Bingham, Hiram. "Inca Land". http://www.gutenberg.org/files/10772/10772-h/10772-h.htm.

^ "Lionized in Montreal," The New York Times, October 29, 1910, p. 1

^ Holt, Jane (1941) "News of Food: War Emphasizes Benefit of Prune Vitamins--Hammering Opens Oysters," The New York Times, March 26, 1941, p. 19

^ Nickerson, Jane (1947), "News of Food: Food in Self-Heating Cans Reappears Here; Recommended for Motorists and Campers," The New York Times, November 26, 1947, p. 28

^ Container with integral module for heating or cooling the contents - Patent 5461867

See also

Flameless ration heater

Beverage can

External links

Self-heating by Bargan Production Group

An article on the concept

Single-serving coffee can heats itself

Will Self-Heating Coffee Be Cool?

The world's first self-heating coffee with demonstration pictures

Dawn of the New Can

BBC News Online - Hot drink can tested in...(and so on)











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Optical amplifier


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An optical amplifier is a device that amplifies an optical signal directly, without the need to first convert it to an electrical signal. An optical amplifier may be thought of as a laser without an optical cavity, or one in which feedback from the cavity is suppressed. Stimulated emission in the amplifier's gain medium causes amplification of incoming light. Optical amplifiers are important in optical communication and laser physics.

Contents

1 Laser amplifiers

2 Doped fibre amplifiers

2.1 Noise

2.2 Gain saturation

2.3 Inhomogeneous broadening effects

2.4 Polarization effects

2.5 Erbium-doped fibre amplifiers

2.6 Doped fibre amplifiers for other wavelength ranges

3 Semiconductor optical amplifier (SOA)

3.1 Vertical-cavity SOA

4 Raman amplifier

5 Optical parametric amplifier

6 See also

7 References

8 External links


//


Laser amplifiers

Almost any laser active gain medium can be pumped to produce gain for light at the wavelength of a laser made with the same material as its gain medium. Such amplifiers are commonly used to produce high power laser systems. Special types such as regenerative amplifiers and chirped-pulse amplifiers are used to amplify ultrashort pulses.

Doped fibre amplifiers



Schematic diagram of a simple Doped Fibre Amplifier

Doped fibre amplifiers (DFAs) are optical amplifiers that use a doped optical fibre as a gain medium to amplify an optical signal. They are related to fibre lasers. The signal to be amplified and a pump laser are multiplexed into the doped fibre, and the signal is amplified through interaction with the doping ions. The most common example is the Erbium Doped Fiber Amplifier (EDFA), where the core of a silica fiber is doped with trivalent Erbium ions (Er+3) and can be efficiently pumped with a laser at a wavelength of 980 nm or 1,480 nm, and exhibits gain in the 1,550 nm region.

Amplification is achieved by stimulated emission of photons from dopant ions in the doped fibre. The pump laser excites ions into a higher energy from where they can decay via stimulated emission of a photon at the signal wavelength back to a lower energy level. The excited ions can also decay spontaneously (spontaneous emission) or even through nonradiative processes involving interactions with phonons of the glass matrix. These last two decay mechanisms compete with stimulated emission reducing the efficiency of light amplification.

The amplification window of an optical amplifier is the range of optical wavelengths for which the amplifier yields a usable gain. The amplification window is determined by the spectroscopic properties of the dopant ions, the glass structure of the optical fibre, and the wavelength and power of the pump laser.

Although the electronic transitions of an isolated ion are very well defined, broadening of the energy levels occurs when the ions are incorporated into the glass of the optical fibre and thus the amplification window is also broadened. This broadening is both homogeneous (all ions exhibit the same broadened spectrum) and inhomogeneous (different ions in different glass locations exhibit different spectra). Homogeneous broadening arises from the interactions with phonons of the glass, while inhomogeneous broadening is caused by differences in the glass sites where different ions are hosted. Different sites expose ions to different local electric fields, which shifts the energy levels via the Stark effect. In addition, the Stark effect also removes the degeneracy of energy states having the same total angular momentum (specified by the quantum number J). Thus, for example, the trivalent Erbium ion (Er+3) has a ground state with J = 15/2, and in the presence of an electric field splits into J + 1/2 = 8 sublevels with slightly different energies. The first excited state has J = 13/2 and therefore a Stark manifold with 7 sublevels. Transitions from the J = 13/2 excited state to the J= 15/2 ground state are responsible for the gain at 1.5 ?m wavelength. The gain spectrum of the EDFA has several peaks that are smeared by the above broadening mechanisms. The net result is a very broad spectrum (30 nm in silica, typically). The broad gain-bandwidth of fibre amplifiers make them particularly useful in wavelength-division multiplexed communications systems as a single amplifier can be utilized to amplify all signals being carried on a fiber and whose wavelengths fall within the gain window.

Noise

The principal source of noise in DFAs is Amplified Spontaneous Emission (ASE), which has a spectrum approximately the same as the gain spectrum of the amplifier. Noise figure in an ideal DFA is 3 dB, while practical amplifiers can have noise figure as large as 6-8 dB.

As well as decaying via stimulated emission, electrons in the upper energy level can also decay by spontaneous...(and so on)











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Anthony Bennett (Australian artist)


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Anthony Bennett is an Australian artist born in Mackay Queensland in 1966. He has lived and worked in Tokyo, Rome and London and has exhibited nationally in Australia and internationally, sometimes controversially, with accusations from family groups in Brisbane in 2003 that his exhibition 'the dirty sanchez manifesto' was pornographic. He is a finalist in the Archibald Prize for 2009 as he was in 2008. He is also a finalist in both the Wynne and Sulman Prizes for 2009, was featured in 2007 as one of the 'hot young queensland painters' interviewed on ABC TV's Sunday Arts programme and also won the renault new generation art award at Art Sydney 07. He has also been a finalist in the prestigious Conrad Jupiters Art Prize, Sculpture by the Sea, The Schubert Ulrick Photographic Awards and the Cromwell's Art Prize. In 2004 he was awarded a Bundanon residency. Graduating from Griffith University Queensland College of Art with a Bachelor of Visual Art and majors in painting and sculpture in 1999.

Described in Art & Australia in 2006 as, a "potent anti-corporate poet" by reviewer Vikki Riley, his work uses the language and imagery of the everyday, appropriating pop culture with grabs from advertising, cartoons, music and movie stars and references respectful and otherwise to art history. He refers as much to Kierkegaard and Camus as Kath and Kim. His imagery is smeared and distorted in an extreme form of expressionism that quotes from Willem de Kooning, Andy Warhol, Brett Whiteley, Jean-Michel Basquiat and Cy Twombly. His titles are integral components and often mash words into the perceptive equation to play off the imagery, adding to the semantic game and augmenting the mood of dissent, while also revealing much about his practice. His work is contained in many private collections in Australia, New Zealand, Austria, China, Japan, Italy and England.Artist's folio site

Contents

1 Pop Cannibal

2 Tragic Inspiration

3 The Vatican Thing

4 Cho Sagoi Desu Ne

5 Super Thanks for Asking

6 References

7 See also


//


Pop Cannibal

Bennett paints every day and links every section of his life to his art. It has become second nature and is incorporated through the use imagery and text that is absorbed so fully from television and other mass media, and even conversations with friends, that it is as integral to the work as the paint or the canvas. Pop culture becomes the words that he uses to construct his artistic sentences. These make the conversation as relevant or useless as the experience of the viewer of the works will allow. "If the viewer is aware of Freud or Jung then a discussion of the ideas those heavyweight thinkers have provided us is in play. If the viewer is only aware of the last Hollywood version of 'Superman', but not Nietzsche's version then that might be just as relevant to them, but not necessarily the end of the story...." says Bennett

"I don't really like conversations about art," he continues "because I think art is a visual language in and of itself and when you learn that language properly, why talk over the top of it. To do that is like the annoying git at the movies who explains what's happening to the person beside them throughout the whole movie and ultimately ruins the experience for everyone else around them."

"I used to think that conversations should be reserved purely for philosophical debate" he states, "...but now realise that they can also be useful as a way of finding out what's on television in the evenings....unfortunately though most humans talk simply because it's the only way they are able, in their own minds, to separate themselves from monkeys."

"I think the influences in my work are obvious but prefer the viewer to discover them for themselves ...after all why should everything be spoon-fed to you. The people that appreciate and collect my work are generally well educated, well rounded and like to draw their own conclusions anyway....you either get it or you don't...I am not here to preach and I also think it is a mistake to underestimate your audience"

"Pop Cannibal is the term I use for it. The Tarantino or Simpsons style mix and match of genres in equal parts homage and/or critique. Not always equal parts either, as nothing should be written in stone. It depends on mood, day of the week, the quality of the wine consumed etc."

Tragic Inspiration

The death of Bennett's mother and brother in a car accident when he was still a teenager was naturally the cause of profound changes in his life. Already an introspective individual this caused a shift further in that particular direction. He sought answers to the big questions and an explanation for the pain and he explored the philosophers of the past for some kind of guidance in that area. He contemplated suicide on more than one occasion. "I have many friends that have thought about it..." he said " I think...(and so on)











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Ossur


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?ssur hf.

Type

Public (OMX:OSSR)

Founded

1971

Headquarters

Reykjav韐, Iceland

Area served

Global

Key people

Jon Sigurdsson (President and CEO), Niels Jacobsen (Chairman of the board), Hjorleifur Palsson (CFO)

Industry

Health care

Products

Non-invasive orthopaedic bracing and support, compression therapy, prosthetics

Revenue

US $335.6 million (2007)[1]

Operating income

? US $39.7 million (2007)[1]

Profit

? US $7.58 million (2007)[1]

Employees

1,600 (2007)[1]

Website

www.ossur.com

Ossur (Icelandic: ?ssur, OMX:OSSR) is a company making non-invasive orthopaedics. It is a global leader[citation needed] in the development, manufacturing, distribution, sales, and marketing of bracing and support products, compression therapy, and prosthetics. The company抯 headquarters are in Reykjav韐, Iceland. The company also has extensive operations in the Americas, Europe, and Asia, with numerous distributors in other markets. In 2006, Ossur Asia opened its latest outpost in Shanghai, China.

Contents

1 History

1.1 Acquisitions

2 Operations

2.1 Research and development

2.2 Products

2.2.1 Bracing and support

2.2.2 Compression therapy

2.2.3 Prosthetics

2.2.3.1 Bionic Technology Platform

3 Sponsorship

4 Notes

5 External links


//


History

Ossur was founded in Iceland in 1971 by ?ssur Kristinsson, a prosthetist. The Kristinsson family owned the company until 1999, when it went public and was listed on the Iceland Stock Exchange. Initially, the company served only the domestic Icelandic market, and then began to export in 1986. There was rapid expansion in the 1990s and an assertive acquisition strategy[clarification needed] in the 2000s. Ossur has now grown from being a prosthetics workshop with a few employees to a progressive high-tech company that employs a staff of around 1,600 in 14 locations around the world.

Acquisitions

Since 2000, Ossur has acquired 13 companies. All except for the Gibaud Group are fully integrated.

2000 Flex-Foot, Inc.

2000 PI Medical AB.

2000 Karlsson & Bergstrom AB.

2000 Century XXII Innovations, Inc

2003 Linea Orthopedics AB.

2003 Generation II Group, Inc.

2005 Advanced Prosthetic Components

2005 Royce Medical, Inc.

2005 Innovative Medical Products, Ltd.

2005 GBM Medical AB.

2006 Innovation Sports, Inc.

2006 Gibaud Group

2007 SOMAS

Operations

Research and development

Ossur operates five research and development (R&D) departments, which are located in four countries and employ a total of 76 people. In-house R&D also partners with third parties, including universities and research companies. Ossur invests significantly in research and product development. In 2007, that investment amounted to 6 percent of the company抯 total sales. The same year, 22 US patents were granted to Ossur and 37 new applications filed. At the end of the year, Ossur had 218 US, 26 European, and 103 granted international patents in its portfolio, together with 119 US and 239 pending applications world.[citation needed]

Ossur is recognized by the World Economic Forum as a "Technology Pioneer"[citation needed], which means it has been identified as a company that is developing and applying the most innovative and transformational technologies.

Products

Ossur operates in three markets: bracing & support, compression therapy, and prosthetics. Ossur抯 Bionic Technology Platform is a part of the prosthetics market.

Bracing and support

Ossur manufactures a range of braces and support products for arms, legs, and torso. Products include Unloader One, a brace that provides a mechanical solution to knee pain caused by osteoarthritis. It separates bones when ligaments and cartilage are damaged and also prevents further damage to the joint. The firm also makes CTi, a ligament brace for knees used for both rehabilitation and for injury prevention, as well as cervical collars.

Compression therapy

Ossur entered the compression therapy segment with the acquisition of the French company Gibaud. Products include bandages, tights, stockings, knee highs and stump socks.

Prosthetics

Ossur manufactures prosthetic limbs and joints, liners, sockets, locks and sleeves. Its products include Flex-Foot, a high performance foot made from 100% carbon fiber, a material used extensively in the aerospace industry for its strength and flexibility. The Flex-Foot Cheetah worn by Oscar Pistorius and other amputee athletes is a derivative of this product line. Ossur also produces the Total Knee prosthetic, which possesses a "locking moment" which keeps the knee from collapsing when it...(and so on)











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My Pet Monster

My Pet Monster plush doll from 2001

Format

Animated series

Starring

Sunny Besen ThrasherStuart StoneJeff McGibbonAlyson CourtDan Hennessey

Country of origin

United States

No. of seasons

1

No. of episodes

13

Production

Running time

30 minutes per episode

Broadcast

Original channel

ABC

Original run

September 12, 1987 December 19, 1987

My Pet Monster is a plush doll first produced by American Greetings in 1986. As one of the few plush dolls marketed to boys at the time, My Pet Monster would prove popular throughout the late 1980s and early 1990s. The doll has blue fur, horns, and a fanged smile and is recognizable by its orange handcuffs. Several versions of the doll have been released ranging in size and other attributes. Other characters were also created with brightly colored fur and unorthodox names like Gwonk, Wogster, and Rark. Their popularity allowed a wealth of merchandise including coloring books, Golden Look-Look books, frame-tray puzzles, and various other items.

The My Pet Monster franchise has offered a fond sense of nostalgia for many children of the '80s, and in commemoration of this, a 22" tall, talking My Pet Monster doll was released by Toymax in 2001.

It spawned a direct to video film in 1986 about a boy who becomes the Pet Monster after being exposed to a statue and changes Incredible Hulk-style when hunger strikes, how a man tries to kidnap him for experimentation, and how his sister helps her brother out of this crisis.

Cartoon

My Pet Monster also spawned a children's cartoon series that ran for one season (1986 1987) on ABC, produced by Ellipse (France), Nelvana (Canada), and Hi Tops Video in association with Golden Books. The show follows Monster who lives with a boy named Max. When Monster wears his handcuffs, they turn him into a stuffed animal. Max often does this as a way to maintain the secret of Monster抯 existence from others. Max's sister, Jill, and friend, Chuckie, are the only ones that know this secret. The two main adversaries in the show are Mr. Hinkle, a neighbor who always thinks Max is up to something, but isn抰 quite sure what, and Beastur, a large monster who hates light and wants to bring Monster back to Monster Land.

On October 28, 2008, KaBoom! Entertainment released My Pet Monster- The Complete Series, featuring all 13 episodes, on DVD in Region 1 (Canada only) for the very first time. [1]

DVD Name

Ep #

Release Date

The Complete Series

13

October 28, 2008

External links

My Pet Monster at TV.com

My Pet Monster page at Toonopedia

My Pet Monster at the Internet Movie Database

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